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It is a realistic look at the world of painting and real art that lies in our values and times. Here we present a series of events that illustrate the hot market between artists, drawings and artistic life through the world of contemporary art, which bears a true mirror about our values and times that reflect real art.
Cool and nominally neutral, there is nonetheless a genius use of one scene from Martin Scorsese's grim and glossily-reproachful The Wolf of Wall Street that makes the director's feelings on the subject crystal clear.
The wide ranging perspectives of painters, collectors, dealers and gallery owners makes for a thought-provoking and unexpectedly moving film with the potential to attract both a specialist and a more general audience.
Nathaniel Kahn lets the contemporary-art market shoot itself in the pedicured foot. But not everything worth saying needs to be articulated in this highly polished documentary-a beautiful piece of representational art, as it happens.
The implicit castigation the documentary has to offer is hard to miss. So is the sense of overriding fascination. Is it possible to cast a cold eye if the look being given is so wide-eyed?