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Autumn 1960, Father Thomas Riley and Father John Thornton were sent by the Vatican to research a mysterious occasion in an Irish home for 'fallen women' as they receive an ask for help. When they arrive there, they reveal something significantly more horrendous.
The film isn't without its effective scares, and long-time fans of the found footage genre will find something to enjoy in the film, even if the only fresh aspect of the film is its cinematography.
[S]pooky as hell, with some biting commentary on the history of the Catholic Church and a setting that grows increasingly claustrophobic and menacing as the narrative deepens.
The ambiguity of the title is as important as the ambiguity of the ending -- and always, underscoring it, the understanding that there was nothing ambiguous about what was found beneath the ground in Tuam.
All the well-crafted effort has unfortunately been expended on a tired and overly familiar story that never registers as anything more than a compendium of horror film clichés.
Two strong leads, the doubting priest Lalor Roddy and the Nurse Ratchet-like Mother Superior played with gusto by Helena Bereen, help distinguish this Exorcist update and mark Clarke as a talent to watch.