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Rosencrantz and Guildenstern Are Dead

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As a comedy by director Tom Stoppard, the content revolves around two minor characters from the play 'Hamlet' stumble around unaware of their scripted lives and unable to deviate from them.
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New York Times
As happens at the opera, one usually laughs (if one laughs at all) not because something is funny, but because one has successfully recognized that it is supposed to be funny.
May 20, 2003
DVDJournal.com
...On stage, the sprightly teleological riffs and bebop dialogue delight as ends in themselves. Here they're leaden and compromised. What happened?
April 05, 2006
Film4
A disastrous adaptation of an excellent play.
July 03, 2008
Flipside Movie Emporium
By trying to take advantage of the medium, Stoppard loses track of what makes his work so wonderful. This belongs on the stage.
January 21, 2003
Time Out
Both Oldman and Roth turn in flat and uninspiring performances.
February 09, 2006
Washington Post
Staged as they are here, the jokes and the fourth-wall gamesmanship don't seem as funny as they did on the page.
January 01, 2000
Chicago Sun-Times
As a movie, this material, freely adapted by Stoppard, is boring and endless. It lies flat on the screen, hardly stirring.
January 01, 2000