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Barry Egan (Adam Sandler), the owner of a struggling vanity plungers company, is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Perhaps overshadowed by Anderson's other more ostensibly serious work, Punch-Drunk Love nevertheless represents both a highlight for the director and for its star.
While certainly sweet, Love is more compelling as a veiled threat, with Anderson jerking the audience around, wielding abrasive characters and hostile situations in a manner I've come to adore.