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Set in Washington D.C. in 2054, where police utilize a psychic technology to arrest and convict murderers before they commit their crime, the film tells the story of an officer from that unit who is himself accused of a future murder.
Though his movie wraps challenging ideas and ingenious visual conceits in a futurist film-noir style, it's pretentious, didactic and intentionally but mercilessly bleak.
August 05, 2013
London Evening Standard
If less poetic than AI, Minority Report is much more confidently directed, with a firmer sense of its maker's own urge to entertain and stimulate rather than bemuse.
Even if he belabors the ending and can't resist tempering the darkness with a strained ray of hopefulness, Minority Report is a document that proves Spielberg among the top ranks in a minority of film geniuses.
[Minority Report] takes themes from Blade Runner, Total Recall and especially the little seen Gary Fleder-directed Impostor and stirs them up into an absorbing thriller.
This masterfully sleek vision of the future from director Steven Spielberg is an awesome mix of skewed science fiction, twisty Hitchcock-style thrills, stunning blue-grey tinged photography and outstanding design.
Ferociously intense, furiously kinetic, it's expressionist film noir science fiction that, like all good sci-fi, peers into the future to shed light on the present.
For its stunning visuals and standout performances, Minority Report -- or at least the first three-fourths of it -- might just be the best movie so far this year.