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Jim and Blake are best friends. After 3 years with many efforts, Jim does not dare to declare his love to Alice meanwhile Blake hopes the ralationship of Jim and Alice can be broken in order to get his mate back. One day, Jim has a chance to meet a photographer Charlie who gives him meaning lessons.
There's not much here that makes a lot of sense. It's the kind of picture where stuff happens, not out of some internal logic due to the rules of cause and effect, but because it has to, or else the movie would just drop dead.
The pieces are all there for I Love You Too to be a good romantic comedy but good genre filmmaking is about working within the restraint of the genre without everything feeling tired, familiar and average.
On the surface, it looks like a rom-com, but it's actually considerably more. It may be about love, but it also examines other types of bonds -- those between siblings, best mates and odd-couple friends.
It's a hodgepodge of tropes, but the charm, innocence and genuine sentiment of Helliar's words are irrefutable ... I can imagine Helliar one day delivering a genuinely great screenplay -- one that perhaps is just a bit tighter, funnier and braver.