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Kylie Bucknell is forced living in a house that always has whispers in the dark, she think that is because of her imagination but it is not true. Ghosts in the house don’t like her and the living arrangment.
First-time writer-director Johnstone's ingenious script consistently wrong-foots the audience and shifts from one subgenre to another without ever once losing its grip on the comedic elements. It's creepy, tense and scary.
First-time director Gerard Johnstone may not possess the wild visual invention of his patron Peter Jackson, but he's ruthlessly proficient at old-school scares.
If Housebound is ultimately much more funny than scary, it's because O'Reilly's pugnacious performance runs so counter to the genre's usual treatment of women in peril.