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When an office full of New York City real estate salesmen is given the news that all but the top two will be fired at the end of the week, the atmosphere begins to heat up. Now, the slick salesmen must fight for survival and hot leads.
Mamet reveals his exceptional talent for writing almost poetic working-class vernacular, scores his major implicit thematic thrusts against the nature of the way business-at-large is conducted.
June 09, 2008
Antagony & Ecstasy
As an expression of a great script, it really can't be beat.
Though the performances are satisfying in a projected way, they're nullified by an uninspired atmosphere around them. Despite the colorful and witty utterances of its characters, "Glengarry" feels artificial and rarefied.
Mamet has a special gift for drawing portriats of lowlifers who are harsh but also funny, his salesmen are a far cry from Arthur Miller's Loman in Death of a Salesman.
The overall film, writing and acting are so darn good that I watched it and then immediately started it over again.
August 25, 2008
Chicago Sun-Times
You can see the joy with which these actors get their teeth into these great lines, after living through movies in which flat dialogue serves only to advance the story.
David Mamet's play about the wheelings and dealings of real-estate salesmen gets dedicated playing from a splendid cast, but gains nothing by the transfer from stage to screen.
Foley is as adept at managing this intensely psychodramatic material as he is handling an ensemble cast with the combined power of a runaway locomotive.