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The back and forth between McAdams and Bateman is what makes Game Night sing (which is not to slight Horgan's dry wit or Magnussen's elegant idiocy or Morris' magnificent Denzel Washington impression).
Game Night pulls off more narrative twists than an Olympic freestyle skier. And like those gravity-defying champions, the filmmakers' timing, preparation, and technical precision makes it all look deceptively easy.
Screenwriter Mark Perez knows the difference between simply making a reference and actually writing a joke - and while the jokes come ceaselessly, they are knowingly and (this turns out to be key) lightly offered.