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A reverse Cinderella tale centers on a successful attorney who falls in love with a financially challenged mechanic who is a single father of three children. The relationship hits a snag when the mechanics ex-wife comes back into his life and threatens to take away their kids.
Yes, it's true that Tyler Perry's movies are mostly formualaic. Yes, it's true that Tyler Perry isn't the finest director in the world. But it's also true that Tyler Perry is getting better.
March 09, 2007
Time Out
Love can transcend class lines; in Tyler Perry's universe, it also defies all rules of the legal system -- and logic.
Subtlety has never been Perry's strength, but his previous films balanced the sermonizing with good humor and sincerity. Perhaps next time, he'll ease up on the lectures, and bring back the love.
While its look at interclass romance among African-Americans and the struggles of a working-class single father is fresh and vital, the heavy-handed execution isn't.
Dismissed by critics but embraced by African-American audiences, Tyler Perry now opens his pictures without press previews, but on the basis of this expert melodrama he might want to reconsider.