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A straight-A student, Carlos is focused and driven, but his future is cast in doubt when he becomes the flirtation target of spoiled, self-destructive bad girl Nicole Oakley.
...these kids talk like real kids, not like Hollywood's version of precocious, advanced adolescence...
July 30, 2002
Lawrence Journal-World
The movie's dramatic moments come from dialogue not actions, and much of the time viewers are left on their own to fill in the words that remain unspoken.
Even when the movie is bad -- which it is in its abrupt, mismanaged, final-act attempt to cram in moments of forgiveness and clarity -- it's addictively so.
As overproduced as a Super Bowl soft-drink commercial, so much so that even its potentially insightful moments seem like movie fakery.
July 03, 2001
Toronto Star
The movie is so predictable, it's not surprising that the script is credited to first-timers Phil Hay and Matt Manfredi, and the direction to John Stockwell, a former acting peer to Tom Cruise.
June 29, 2001
Seattle Times
Sure, the Romeo-and-Juliet thing has been done before, but director John Stockwell pulls it off with his two promising leads.