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This story tells about events that look terrifying but carry the meaning of mysterious comedy. That story began in the city of Little Haven where zombies threaten the end of the world that city, forcing Anna and her friends to fight. In that quiet city, Anna and her friends still face death and cut everything through a desperate race to reach their loved ones. Maybe that trip is bad as they discover that no one is safe in this exciting new world.
Admittedly original for a horrific holiday hoot, McPhail's off-kilter Scottish musical plays a delightful naughty note for those looking to celebrate the end-of-the-year seasonal greetings with an (un)deadly bang.
Anna and her friends come to understand the most frightening aspect of adulthood, realizing that friends and parents won't always be there to help you, and that the biggest fear is having to stand on your own two feet.
As a palate cleanse for the endless parade of Hallmark Christmas movies, Anna and the Apocalypse serves up a wacky diversion, but not without a little darkness and tragedy on the side.
If you're looking for polish or sophistication from "Anna And The Apocalypse," you're chomping on the wrong neck. But the songs are bouncy, the performances fresh and the gore happily not in any way related to real life. You got to love that.
"Anna and the Apocalypse" tries too hard to do too much, but this multigenre hybrid has more than enough good cheer to get viewers through another holiday season on this troubled planet.