Humorist, playwright and screenwriter Norman Krasna went to great lengths planning for a career in law: he attended New York University, Columbia University and St. John's University law school, then abruptly changed his plans and started work as a copy boy at a New York newspaper. He had a brief stint as a drama critic for the Evening Graphic...
Show more »
Humorist, playwright and screenwriter Norman Krasna went to great lengths planning for a career in law: he attended New York University, Columbia University and St. John's University law school, then abruptly changed his plans and started work as a copy boy at a New York newspaper. He had a brief stint as a drama critic for the Evening Graphic and wrote a column for the Exhibitor's Herald World, both of which likely awakened an interest in the film business. He was soon off to L.A. and finagled a job in the Warner Brothers publicity department. Upon seeing his first filmed play, The Front Page (1931), he decided there and then to become a playwright. Having obtained a copy of the original script, he re-typed it over and over, to get the hang of style and methodology. This approach seems to have worked, since Krasna soon published his first play, the comedy "Louder,Please" , which ran on Broadway by November 1931.While not a huge hit, the play led first to a screenwriting contract with Columbia, then with MGM, in 1935. At MGM, Krasna met Groucho Marx and the two became lifelong friends (in 1948, they wrote a play together, "Time for Elizabeth", which had a brief run on Broadway). Within a relatively short period of time, Krasna acquired a reputation for writing intelligent, witty scripts quickly, which endeared him to thrifty-minded producers. He had a penchant for clever one-liners (it would have been fun to sit in on conversational banter between Krasna and Groucho). Krasna didn't confine himself to screwball comedy, but also occasionally turned out good original dramatic material, such as Fritz Lang's indictment of mob justice, Fury (1936). He penned Mr. & Mrs. Smith (1941) for Alfred Hitchcock, wrote the perennial family favourite White Christmas (1954), and the glossy romantic comedy Indiscreet (1958), based on his own 1953 play, "Kind Sir". For the most part, the accolades kept coming for his sophisticated comedies - often featuring mistaken identity (The Ambassador's Daughter (1956)), irascible, or curmudgeonly characters (Charles Coburn in The Devil and Miss Jones (1941) and Princess O'Rourke (1943)), or men-of-the-world cured of their cynicism through love (Cary Grant in 'Indiscreet'). Krasna won an Oscar for 'Princess O'Rourke', one of four films he also directed. While most of his plots are now somewhat dated, his dialogue rarely fails to entertain.After leaving MGM in 1938, Krasna worked for the next twelve years as a free-lance writer, dividing his time between Hollywood and Broadway. In 1950, he formed an independent production company with charismatic producer Jerry Wald at RKO. The enterprise was short-lived, however, with just four films produced out of sixty stipulated. Krasna then produced several films for various studios, including Clash by Night (1952), which featured a young Marilyn Monroe. He also wrote Marilyn's penultimate film, Let's Make Love (1960). That same year, he was honoured with the Laurel Award for Lifetime Achievement from the Screen Writer's Guild. Krasna retired in 1964 and died twenty years later in Los Angeles, aged 74.
Show less «
